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A24 Movie Reviews & New A24 Films | MovieDoors: Unlocking Independent Cinema

Welcome to the dedicated A24 Movie Reviews hub at MovieDoors! If you appreciate groundbreaking, often thought-provoking cinema that pushes boundaries, you've come to the right place. A24 has carved out a unique space in Hollywood, consistently delivering distinctive films that captivate critics and audiences alike.

Here, we celebrate and scrutinize every significant film from this acclaimed studio. Our passionate team at MovieDoors dives deep into A24's latest cinematic offerings, providing honest, insightful movie reviews that go beyond the surface. We explore what makes each A24 film resonate, from their unique visual aesthetics and compelling narratives to the nuanced performances and bold directorial choices.

Whether you're looking for an unsettling horror, a poignant drama, or an experimental piece that sparks conversation, our A24 reviews will help you navigate their impressive and often challenging catalog. Stop endless searching and get the full picture of the latest and greatest films from A24. Let MovieDoors open the door to your next independent film obsession.


Eternity (2025) Movie Review

Eternity is a standout addition to the A24 library, a studio known for distributing some of the most innovative films in the drama genre. This 2025 movie is notable for its artistic restraint and emotional intelligence, fitting perfectly with the reputation for high-quality, thought-provoking cinema. With stellar performances and a script that challenges the audience's perception of love and time, it is a film that will linger long after the credits. Our Eternity movie review explores its beauty.

Marty Supreme (2025) Movie Review

The studio known for visionary, boundary-pushing cinema is back. A24 delivers its next masterpiece with Josh Safdie’s Marty Supreme. This raw 1950s Drama follows Timothée Chalamet as an obsessed ping pong champion, captured in an uncompromising, frenetic style. The film features stunning breakout performances from Odessa A’zion and Tyler the Creator, cementing its place as an instant classic destined to be studied. Get the full scoop on this 5-star cinematic event in Our Marty Supreme (2025) movie review.

The Smashing Machine (2025) Movie Review

The Smashing Machine continues A24's tradition of elevated genre filmmaking, transforming a sports biopic into an intimate character study. Director Benny Safdie's 2025 solo debut employs the studio's signature naturalistic style, favoring documentary-like realism over Hollywood polish. Dwayne Johnson delivers his most vulnerable performance yet as troubled MMA fighter Mark Kerr, while Emily Blunt provides fierce support. The film's refusal to glorify violence or deliver conventional payoffs exemplifies A24's commitment to challenging mainstream expectations. Our The Smashing Machine movie review examines why this drama represents both studio and star at their best.

If I Had Legs I'd Kick You (2025) Movie Review

A24 continues its streak of uncompromising auteur-driven cinema with Mary Bronstein's anxiety-inducing maternal breakdown thriller. Rose Byrne delivers her most fearless performance as Linda, a therapist and mother whose life collapses in real-time across a claustrophobic two hours. Shot with "Good Time" cinematographer Christopher Messina and edited with Safdie brothers-level intensity, the film represents A24's commitment to formally ambitious, emotionally punishing cinema. Conan O'Brien's dramatic debut and A$AP Rocky's grounded warmth support Byrne's tour-de-force turn. Our If I Had Legs I'd Kick You movie review examines why this challenging film exemplifies A24's fearless programming.

"Materialists" (2025) Movie Review

Visually, the film is restrained but elegant. Cinematographer Shabier Kirchner bathes the city in soft light, contrasting Lucy’s sleek, curated spaces with the messier, lived-in apartments of her past. Daniel Pemberton’s score dances between melancholy and hope, underscoring the emotional fragility of these characters. Everything feels carefully...

"Bring Her Back" (2025) Movie Review

"Bring Her Back" boldly steps into the crowded subgenre of grief-based horror, but it does so with an unflinching ferocity that sets it apart. While many contemporary horror films use grief as a mere metaphorical backdrop, the Philippou brothers make it the raw, bleeding heart of their narrative, channeling the existential nihilism reminiscent of New French Extremity works like...

"Sorry, Baby" (2025) Movie Review

Eva Victor’s Sorry Baby (2025) is a fearless, darkly funny indie drama about life after trauma. With strong performances and a smart, sensitive script, this A24 release explores recovery, friendship, and identity in a way that feels fresh, honest, and deeply human. A standout at Sundance and one of the most affecting films of the year.

"Highest 2 Lowest" (2025) Movie Review

Spike Lee’s Highest 2 Lowest is a vibrant, searing, and often exhilarating reinterpretation of Akira Kurosawa’s 1963 crime thriller High and Low. Set deep within the pulsating heart of the modern music industry in New York City, Lee masterfully transmutes the original's post-war anxieties into a sharp critique of America’s pervasive capitalist grindset and...

"Warfare" (2025) Movie Review

"Warfare" opens by embedding the audience with a U.S. Navy SEAL platoon during a dangerous surveillance mission in Ramadi, Iraq, in November 2006, in the wake of the Battle of Ramadi. Their objective: to establish an overwatch position in an Iraqi family's home, monitoring the movement of American forces through insurgent territory. The film quickly establishes a suffocating sense of...

"Eddington" (2025) Movie Review

"Eddington" arrives as a stark, unflinching look at a nation fractured by unprecedented events, positioning itself as a cinematic reflection of a society grappling with its own unraveling. Ari Aster, known for his unique brand of unsettling horror and psychological drama, takes his distinctive neuroses and applies them to the collective anxieties of the early pandemic era. This isn't a...

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