Movie Reviews


Wake Up Dead Man: A Knives Out Mystery (2025) Movie Review



Daniel Craig returns as detective Benoit Blanc in Wake Up Dead Man: A Knives Out Mystery (2025), directed by Rian Johnson. This 2025 movie is a stylish and suspenseful blend of mystery, crime, and sharp humor. With stunning performances and clever writing, it’s a must-watch for fans of smart, character-driven storytelling. Read our Wake Up Dead Man movie review for the full experience.


Predator: Badlands (2025) – Movie Review



Discover our in-depth movie review of “Predator Badlands,” one of 2025’s most intense sci-fi thrillers. The film blends action, atmosphere and character-driven storytelling in a gripping new chapter for the franchise. Explore its world-building, performances and emotional depth in our full review.

"Dexter: Resurrection" (2025) TV Series Review: Showtime’s Dark Antihero Finds New Life in a Sharp, Bloody Return

Premiering on July 11, 2025, on Paramount+ with Showtime, Dexter: Resurrection marks the long-awaited return of television’s favorite morally conflicted serial killer. Starring Michael C. Hall, the series also features Jack Alcott, Uma Thurman, Peter Dinklage, David Zayas, and James Remar, with Clyde Phillips returning as showrunner. Picking up mere weeks after Dexter: New Blood, this 2025 TV Series follows Dexter Morgan as he miraculously survives a near-fatal gunshot wound and sets out on a haunting search for his missing son, Harrison, in New York City. Produced by Showtime Studios, this TV Series Review finds Dexter: Resurrection to be a confident, bloody, and surprisingly emotional revival — one that embraces its pulpy roots while exploring redemption, legacy, and the ghosts we carry with us.


A New City, an Old Darkness

Dexter: Resurrection wastes no time reestablishing its darkly magnetic tone. After barely surviving his son’s bullet at the end of New Blood, Dexter awakens from a 10-week coma, both haunted and reborn. The sunny Miami days are gone, replaced with the restless pulse of New York City, where his past crimes feel both distant and dangerously close. His mission is twofold: to find Harrison, who’s disappeared into the city, and to confront a new killer — a rideshare murderer calling himself “The Dark Passenger.”

From the very first episode, the series draws power from this urban relocation. New York feels claustrophobic and electric, mirroring Dexter’s fractured psyche. The juxtaposition of cold skyscrapers and warm streetlights replaces the tropical glow of past seasons. In this new playground of sin and survival, Dexter’s old instincts flare — his precise rituals, his sardonic inner monologue, his twisted moral compass — all return with chilling familiarity.

Michael C. Hall’s Dexter, Older but Sharper

Nearly two decades after his debut as the Bay Harbor Butcher, Michael C. Hall hasn’t lost an ounce of his eerie charisma. His performance in Resurrection carries both the weariness of time and the hunger of relapse. This is not the same Dexter who hid behind a suburban smile; this is a man reckoning with the aftermath of his own death — and rebirth. Hall balances sardonic humor with quiet desperation, turning inner conflict into art.

What’s remarkable here is how Hall’s portrayal evolves. Dexter isn’t invincible anymore — he’s slower, self-aware, and introspective. Yet, when his old habits surface, that familiar thrill returns. The voiceover narration — long a Dexter signature — feels tighter and more introspective, infused with irony and melancholy. His exchanges with the ghostly Harry Morgan (James Remar, as sharp as ever) bring moments of dark wit and genuine emotion.

Harrison’s Journey and the Weight of Inheritance

If Resurrection has a heart, it’s the uneasy relationship between Dexter and Harrison, played by Jack Alcott. Harrison now works as a bellhop at the Empire Hotel, trying to build a normal life — though “normal” is relative when your father is a legendary serial killer. Alcott delivers a nuanced performance, showing the cracks beneath Harrison’s calm surface. His struggle mirrors Dexter’s early years: a young man haunted by violent urges and a desperate need for belonging.

The series smartly avoids turning Harrison into a carbon copy of his father. Instead, it explores how trauma and violence ripple through generations. Can someone raised in darkness ever live in the light? Each of Harrison’s choices feels like a test of that question. When Dexter finally tracks him down, their dynamic becomes a moral chess game — one rooted in love, guilt, and survival.

Showtime’s Bloody, Stylish Return to Form

Dexter: Resurrection is a visual feast. The cinematography paints New York as a haunted labyrinth — neon reflections bouncing off blood-stained steel, autumn leaves falling on crime scenes. Every frame pulses with menace and melancholy. The production design is especially effective in sequences set inside billionaire Leon Prater’s (Peter Dinklage) mansion — a gothic shrine to true crime fandom filled with “murderabilia” and hidden horrors.

The music supervision also deserves praise. From The Strokes’ “Bad Decisions” to Nick Cave’s “Red Right Hand,” the soundtrack amplifies each kill, chase, and internal breakdown. The result feels cinematic yet intimate — a reminder that Dexter at its best has always been about the intersection between brutality and beauty.

A Killer Supporting Cast

Showtime pulled out all the stops for this revival’s supporting cast. Peter Dinklage steals every scene as Leon Prater, a billionaire collector obsessed with serial killers. His calm, erudite menace makes him a perfect mirror for Dexter — another man who intellectualizes murder but for very different reasons. Uma Thurman’s Charley, Prater’s chief of security, prowls through every scene with lethal precision and quiet authority. Her chemistry with Hall crackles — two predators circling one another in mutual fascination.

Meanwhile, Ntare Guma Mbaho Mwine delivers heart as Blessing Kamara, a rideshare driver whose decency throws Dexter off balance. He represents everything Dexter could be — if he weren’t ruled by the Dark Passenger. David Zayas returns as Angel Batista, now a Captain, determined to uncover the truth about his old friend. His presence anchors the series emotionally, bridging the franchise’s legacy with its future.

Even smaller roles shine: Krysten Ritter brings wicked charm as Lady Vengeance, while Neil Patrick Harris and Eric Stonestreet have fun playing against type as twisted members of Prater’s inner circle. Each guest star adds flavor to the chaos, making the show’s ensemble feel alive and unpredictable.

Smarter Writing, Tighter Focus

Under Clyde Phillips, who also ran the original show’s best seasons, Resurrection feels confident and purposeful. The pacing is deliberate but not sluggish, blending old-school procedural tension with modern streaming polish. Gone are the clunky exposition dumps and overextended subplots that plagued later seasons. Instead, the narrative zeroes in on Dexter’s psychology and the father-son tension driving the story.

The first two episodes take their time setting the stage — a creative choice that pays off by Episode 4, when the series fully embraces its macabre potential. Phillips and his writers understand that Dexter works best when it balances horror and humor. There’s dark comedy in Dexter’s irritation that another killer “stole” his nickname, but there’s also pathos in his attempt to be better. The writing captures that fine line perfectly.

Themes of Legacy, Redemption, and Control

At its core, Dexter: Resurrection isn’t just a comeback story — it’s a meditation on control. Dexter has always believed in “the Code” — his father’s moral framework for channeling his homicidal urges toward justice. But here, that code feels outdated. The world has changed, and so has Dexter. True crime culture, online obsession, and moral relativism blur the lines even further. The show cleverly reflects on how society’s fascination with killers mirrors Dexter’s own compulsions.

Meanwhile, the father-son dynamic deepens those questions. Dexter wants to protect Harrison from the darkness, but he also wants to guide him — to be the father Harry was to him. The tragedy lies in the impossibility of doing both. Resurrection thrives in these contradictions, making the violence feel both inevitable and deeply human.

Showtime’s 2025 TV Show with Bite

In a television landscape filled with revivals, Dexter: Resurrection could easily have felt unnecessary. Instead, it proves how to revive a beloved franchise with purpose. The 2025 Showtime TV Series doesn’t erase the past — it builds on it, acknowledging Dexter’s failures and using them to fuel something richer. The writing is sharper, the tone is more self-aware, and the performances resonate with genuine emotion.

The shift to Paramount+ with Showtime gives the production a cinematic sheen, with tighter editing, bolder visuals, and mature storytelling. It’s pulpy, yes — but proudly so. The series doesn’t shy away from its absurdity; it embraces it with confidence, making Resurrection both entertaining and unexpectedly profound.

Final Verdict: A Killer Revival That Earns Its Second Chance

Dexter: Resurrection – Season 1 is more than a nostalgic return — it’s a reinvention. Michael C. Hall anchors a superb cast in a revival that feels both familiar and fresh, balancing suspense with surprising emotional depth. Whether you’re a longtime fan or a curious newcomer, this series captures the twisted allure that made Dexter one of TV’s most iconic antiheroes.

It’s not perfect — the first act moves slowly, and some plot devices stretch believability — but by Episode 4, Resurrection hits a rhythm that’s darkly addictive. This is the most entertaining Dexter has been in years, and perhaps the most thoughtful.

Showtime and Paramount+ have resurrected not just a character, but a legacy — one that still has blood left to spill.
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